Don Miller has spent over twenty years developing a sculptural practice rooted in subjective experience and phenomenological inquiry. His work employs simple geometric forms and repetitive formal elements to manifest absence and emptiness as the primary focus. Miller approaches his sculptures as nonverbal, nonfigurative structures organized around silence, creating objects that function like music. The pieces emerge from a slowly developing relationship between maker and outcome, where domestic familiarity and material restraint frame an uncanny experience of perception's 'other side.'
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